Category Archives: art

ASHLEY/AMBER now on the Internet

I am so pleased to write that as of the past month, my short film has become outdated. Ashely/Amber is now a relic of another era.

The American protest movement has found it’s fighting spirit. Throughout the nation, the people are out in the streets. Normal people, by which I mean people who’ve never lived in a nudist cooperative house in the Bay Area, are debating the merits of consensus-based decision making and self-governance. We are openly asking: should we play by the rules, control our image, present a simple & easy message? Or is protest not just a means to an ends, but an assertion of democratic sovereignty, which therefore must accommodate the messiness of many opinions, values, and approaches?

The Occupy Movement has thus far negotiated this dilemma beautifully, adopting as its slogan a simple and appealing statement that asserts the rule of the people. The means is the end. We are the 99% and we want a government that represents us. So we assemble in the streets, and represent ourselves. But beyond the initial catharsis of overthrowing our apathy and helplessness, can we keep this going? I hope so, and I hope my film can contribute in some small way, if only to remind us of how impossible this moment felt half a year ago.

This film is dedicated to the occupiers.

ASHLEY/AMBER screenings in Berlin, Toronto & NJ

[cross-posted at www.ashley-amber.com]

Lots of screenings coming up!

NJ Film Festival

Fri 10.14.2011 / 7p / Rutgers University
Voorhees Hall #105, 71 Hamilton Street, New Brunswick, NJ
Best of 2011 New Jersey International Film Festival
Best of 2011 New Jersey International Film Festival #1

Brotfabrik Berlin

13, 14 & 15 October / 18 Uhr / In der Brotfabrik
Back To Politics Teil 1

Toronto’s National Film Board Cinema

Sat. 22 October / 7p / National Film Board Cinema, Toronto
150 John Street, Toronto, CA
Wildsound Toronto Film Festival
For free tickets, email info@wildsound.ca

ASHLEY/AMBER screening tomorrow afternoon at Knitting Factory BK

ASHLEY/AMBER at the Williamsburg Int’l Film Fest
A short film about an antiwar activist who finds fame after being outed as the one-time star of an internet porn video.

** afternoon screening **
Friday, September 23 · 2:00pm – 4:00pm
The Knitting Factory
361 Metropolitan Avenue, Brooklyn, NY
Screening in the Student Film Program I @ Willifest
$10 – purchase tix
www.ashley-amber.com / www.willifest.com

If the news is crushing your spirit, I highly recommend some Wendell Berry

The outcry in the face of such obvious truths is always that if they were implemented they would ruin the economy. The peculiarity of our condition would appear to be that the implementation of any truth would ruin the economy. If the Golden Rule were generally observed among us, the economy would not last a week. We have made our false economy a false god, and it has made blasphemy of the truth. So I have met the economy in the road, and am expected to yield it right of way. But I will not get over. My reason is that I am a man, and have better right to the ground than the economy. The economy is not god for me, for I have had to close a look at its wheels. I have seen it at work in the strip mines and coal camps of Kentucky, and I know that it has no moral limits. It has emptied the country of the independent and the proud, and has crowded the cities with the dependent and the abject. It has always sacrificed the small to the large, the personal to the impersonal, the good to the cheap. It has ridden to its questionable triumphs over the bodies of small farmers and tradesmen and craftsmen. I see it, still, driving my neighbors off their farms into the factories. I see it teaching my students to give themselves a price before they can give themselves a value. Its principle is to waste and destroy the living substance of the world and the birthright of posterity for a monetary profit that is the most flimsy and useless of human artifacts.

Though I can see no way to defend the economy, I recognize the need to be concerned by the suffering that would be produced by its failure. But I ask if it is necessary for it to fail in order to change; I am assuming that if it does not change it must sooner or later fail, and that a great deal that is more valuable will fail with it. As a deity the economy is a sort of egotistical French monarch, for it apparently can see no alternative to itself except chaos, and perhaps that is its chief weakness. For, of course, chaos is not the only alternative to it. A better alternative is a better economy. But we will not conceive the possibility of a better economy, and therefore will not begin to change, until we quit deifying the present one.

A better economy, to my way of thinking, would be one that would place its emphasis not upon the quantity of notions and luxuries but upon the the quality of necessities. Such an economy would, for example, produce an automobile that would last at least as long, and be at least as easy to maintain, as a horse. It would encourage workmanship to be as durable as its materials; thus a piece of furniture would have the durability not of glue but of wood. It would substitute for the pleasure of frivolity a pleasure in the high quality of essential work, in the use of good tools, in a healthful and productive countryside. It would encourage a migration from the cities back to the farms, to ensure a work force that would be sufficient not only to the production of the necessary quantities of food, but to the production of food of the best quality and to the maintenance of the land at the highest fertility — work that would require a great deal more personal attention and care and hand labor than the present technological agriculture that is focused so exclusively upon production. Such a change in the economy would not involve large-scale unemployment, but rather large-scale changes and shifts in employment.

“You are tilting at the windmills,” I will be told. “It is a hard world, hostile to the values that you stand for. You will never enlist enough people to bring about such a change.” People who talk that way are eager to despair, knowing how easy despair is. The change I am talking about appeals to me precisely because it need not wait upon “other people.” Anybody who wants to do so can begin it in himself and in his household as soon as he is ready– by becoming answerable to at least some of his own needs, by refusing the glamorous and the frivolous. When a person learns to act on his best hopes he enfranchises and validates them as no government or public policy ever will. And by his action the possibility that other people will do the same is made a likelihood.

From Discipline and Hope by Wendell Berry, from his book A Continuous Harmony (1972).

Ashley/Amber on DVD in “Back to Politics” compilation

[cross-posted at ashley-amber.com]

Ashley/Amber is out on DVD today as part of BACK TO POLITICS, a compilation of 10 short films curated by Berlinale shorts director Maike Mia Höhne.

»Im Alter von 22 Jahren bläst Christoph Schlingensief auf offener Straße und im Schnee seinen Landsleuten die Nationalhymne. Ein klares Eingangsstatement, anhand dessen sich kaum die Frage stellt, ob man sich aufgrund der Hymne von seinem Stuhl erhebt. Prolog & programmatisch für die Auswahl BACK TO POLITICS.
Entlang der Filme lässt sich darüber spekulieren, wie die politische Lage derzeit einzuschätzen ist, wie sie sich zum Besseren verändern lässt. Politisches Handeln weist viele Facetten auf und ist nicht ausschließlich an Tagespolitik geknüpft, sondern tritt in banal anmutenden Entscheidungen zu Tage, die jede und jeder praktisch ständig zu treffen hat. Wie und was ist der Mensch, der entscheidet? In Annäherungen werden prekäre Arbeitsverhältnisse, Ich-AGs und illegale Erwerbsarbeit verhandelt. Die Frage vom Ich im Ganzen bleibt. Zum Ende geht die historische These, wie Sex und Politik zusammengehen, neue Wege. Der Erwartung wird das Leben zugesetzt.«
[Dietmar Schwärzler & Maike Mia Höhne]

It’s quite an honor to be included in this collection. There are some really excellent films including Hugo Lilja’s Aterfödelsen, the dystopian zombie film that screened with us in Berlin.

Order at good!movies & amazon.de

ASHLEY/AMBER Berlinale Screenings

Friday, February 11 @ 4pm
Berlinale Shorts I: Press Screening

CinemaxX 5
Potsdamer Straße 5, Berlin
Press only; no Q&A

Tuesday, February 15 @ 10pm
Berlinale Shorts I
* official world premiere *

CinemaxX 3
Potsdamer Straße 5, Berlin
Q&A to follow screening; 8,00€

Wednesday, February 16 @ 6pm
Berlinale Shorts Go Arsenal: Artist Talks II

Kino Arsenal 2
Potsdamer Straße 2, Berlin
Artist Talk (no screening); Free

Friday, February 18 @ 5:45pm
Berlinale Shorts I

Colosseum 1
Schönhauser Allee 123, Berlin
Q&A to follow screening; 8,00€

Saturday, February 19 @ 5:45pm
Berlinale Shorts I

CinemaxX 5
Potsdamer Straße 5, Berlin
Q&A to follow screening; 8,00€

Friday, February 25
Soho House Berlin
Details TBA

For more info, visit ashley-amber.com and check out the Berlinale Program.